[THOUGHTS ON STORIES] Who’s the Protagonist (II) – Focusing on the Big Guy

[The header image was AI generated. I only wish I could draw that good.]

A couple of years back (more or less) I wrote a little on Protagonists. As a refresher, here are the terms as I see them as a Writer, Critic, and in general mad man:

  • Plot: A series of Action/Reaction events that form a story.
  • Protagonist: Character who’s choice has the greatest effect on the Plot.
  • Antagonist: Character that either opposes the Protagonist or is opposed by the protagonist. A proper Antagonist has a greater effect on the Plot than most.
  • Hero: The moral center of the Plot. They might not be the Protagonist, as that role isn’t a moral choice.
  • Villain: No shock, but a character that is the opposite of the Hero. Someone actively doing harm. They can even be the protagonist, as that role isn’t a moral choice.
  • Unfortunate Soul: Character who endangered by the Plot’s events that for reasons can’t do anything. They are never a Protagonist or an Antagonist, as they’re choices have little to no effect on the Plot.

Let’s add one final term, just for fun:

  • Force: An element that can drive the Plot that doesn’t have the agency of a Protagonist or Antagonist. It makes no conscious choice for or against, but actively effects the Plot.

That’s seems like a fine sampling.

Let’s look at a few stories, see how this shakes out. As I am who I am, we are looking at the three Godzilla movies that share the name Godzilla. Starting with the 1998 classic Godzilla.

Don’t make that face. It’s unbecoming.

Spoilers, for what it’s worth.


The Protagonist in Godzilla 98 is Nick Tatopoulos. He’s the one who makes all the choices that matter. He wants to stop Godzilla from causing destruction.

Opposing him as the Antagonist is, of course, Godzilla. All Godzilla wants is to roam about and be the best little monster it can be. Towards the end, with its offspring slaughtered, it actively tries to harm Nick. The size of its choices matter.

Ahem.


With Godzilla 14, things get interesting.

The Protagonists in this story are the bug like Muto. Everyone reacts to their choices. It doesn’t matter how they’re destructive. Being the Protagonist isn’t a moral choice, and every choice they make moves the Plot forward.

That said, once again the Antagonist here is Godzilla. He doesn’t want the Mutos to get what they want. They threaten his existence and until they stop, he won’t stop, either.

Now where does the human character, Brody, stand here? He’s the Hero. His actions, while important, don’t change the basic conflict between Muto and Godzilla. He helps Godzilla deal with the situation, unquestionably. But when everything is said and done, he does nothing that changes the Plot. If he wasn’t involved, the conflict would have continued and ended just fine without him.

Albeit perhaps not as happily for the world.


Now if you thought that last bit was wrong headed… well you ain’t heard nothing yet.

The Protagonist in the original Godzilla is the character you see the least: Daisuke Serizawa. Standing against him is the Antagonist… Hideto Ogata.

Yeah. That’s right. Godzilla doesn’t matter in his own first movie. at best he’s a Force.

Isn’t that wild? But hear me out.

What Godzilla is is unimportant. He doesn’t have to be a radioactive dinosaur. He could be anything from a giant octopus (which he almost was) to radioactive sludge.

What matters is that he’s a problem that needs solved.

Serizawa has the solution to that problem. It is his choice that matters the most in the movie. To refrain from acting means the threat continues unhampered. Acting, on the other hand, might unleash a far worse threat. In fact, Serizawa is pretty certain that it will.

Ogata, however, opposes this. He sees only the threat before them and forces Serizawa into a decision. And, in my humble opinion, that decision is the worst possible choice.

To reinforce this, remember there is only one scene between Serizawa and Godzilla. Godzilla, at the time, is minding his own business. His threat, while real and present, is also theoretical at that point.

As I’m throwing cod theory about, let me say that the real antagonist should have been Emiko Yamane. Ultimately she’s the one who betrays Serizawa on so many levels. But that’s expecting a little much from a film out of the Fifties.


Now that was fun. Might go back to this little thought experiment at another time.

The Big Three (IV) – Summation

So. Why start out like this? Why talk, if ever so fleetingly, of these three characters as a personal introduction?

I could have, of course, listed the authors that made me want to be a Writer (Edgar Allan Poe, Stephen King, and H. P. Lovecraft, in order, for the record.) I could have talked about the One Big Moment in Junior High that pushed me in that direction. I could have talked genre, of my interest in Horror, Science Fiction, and Fantasy.

I could have done a lot of things.

This, I think, covers most of who I am. Why I am.

All three characters have stories of action and adventure.

All three have moments of Horror and bits of Science Fiction and Fantasy.

All three filled a bored child’s life when he needed it.

And all three, for good or ill, influenced and influence me. They were the first. They lead the way.

It might be important to know that. Heading forward.

The Big Three (III) – He Walks in Eternity

There’s a minor family dispute over the following history. But we’ll get to that.

The main facts are these: My Dad watched Doctor Who back in the Seventies and was not impressed. He did, however, tell My Mom about it and suggest that her monster loving eldest might like it.

Correction: According to Mom, Dad had only heard of Doctor Who when recommending me watching it. Would have sworn she had told me differently. Hey, it’s been over forty years, it’s a miracle I remember anything from back then. Or now.

Which was how I ended up having one of the most terrifying viewing experiences of my young life.

See, there’s this pretty lady in a room, and while she was watching something on a TV this metal snake monster attacks her. A guy in the scarf comes to rescue her, but he’s too late, she’s been Got. He and another guy take her away, leaving behind this old guy who stares at the snake monster.

Now I knew for a fact that another snake monster is in the room. Doesn’t matter that there was no reason to believe this, I just knew. And that monster was going to jump out any second and Get the old guy!

This scared me to death.

Now here’s where the dispute comes in. Mom says I ran out of the room. She also says the episode was about cannibalism, so her memory of the issue is suspect.

My memory of is of turning the TV off. I might have ran away after that. That is a possibility.

You can never be too certain with monsters.

There were other terrifying encounters with the show, which piqued my Dad’s interest. What could possibly be frightening about Doctor Who? He watched it and got hook.

It became a family favorite, more so than my other two heroes.

(Me? I finally watched an episode with the Doctor beating a monster. That helped.)

Any ways, as with the others, I collected, I had help collecting. And to a large degree, even now, I’m a fan.